Horses’ Hooves
Text
English translation
Original Chinese text
马,蹄可以践霜雪,毛可以御风寒。龁草饮水,翘足而陆,此马之真性也。虽有义台路寝,无所用之。及至伯乐,曰:“我善治马。”
English translation
A horse’s hooves can tread on frost and snow, and its coat can withstand wind and cold. It eats grass, drinks water, and lifts its hooves to leap about: this is the horse’s true nature. Even the Yi Terrace and the Lu Chamber would be of no use to it. Then Bo Le came along and said, “I am skilled at handling horses.”
Original Chinese text
烧之,剔之,刻之,雒之。连之以羁絷,编之以皁栈,马之死者十二三矣!饥之渴之,驰之骤之,整之齐之,前有橛饰之患,而后有鞭筴之威,而马之死者已过半矣!陶者曰:“我善治埴。”
English translation
He brands them, clips them, pares them, and fits them with headstalls. He binds them with halters and tethers and places them in stables; two or three horses in ten have died! He makes them go hungry and thirsty, drives them to run and gallop, and forces them into order and uniformity. Before them is the trouble of bits and ornaments, and behind them the menace of whips and riding crops; more than half the horses have died! The potter says, “I am skilled at working clay.”
Original Chinese text
圆者中规,方者中矩。匠人曰:“我善治木。”
English translation
What is made round conforms to the compass, and what is made square conforms to the carpenter's square. The carpenter says, “I am skilled at working wood.”
Original Chinese text
曲者中钩,直者应绳。夫埴木之性,岂欲中规矩钩绳哉!然且世世称之曰:“伯乐善治马,而陶匠善治埴木。”
English translation
What is curved fits the hook, and what is straight answers to the marking line. But could it be the nature of clay and wood to wish to conform to compass, square, hook, and line? Yet generation after generation people praise this, saying, “Bo Le is skilled at working on horses, while potters and carpenters are skilled at working on clay and wood.”
Original Chinese text
此亦治天下者之过也。
English translation
This, too, is the fault of those who govern the world.
Original Chinese text
吾意善治天下者不然。彼民有常性,织而衣,耕而食,是谓同德。一而不党,命曰天放。故至德之世,其行填填,其视颠颠。当是时也,山无蹊隧,泽无舟梁;万物群生,连属其乡;禽兽成群,草木遂长。
English translation
In my view, those who are good at governing the world do otherwise. The people have a constant nature: they weave and clothe themselves, till the soil and feed themselves. This is called sharing the same virtue. They are one, yet form no factions; this is named Heaven’s release. Thus, in an age of utmost virtue, their steps are steady and unhurried, and their gaze is composed. At that time there were no paths or tunnels through the mountains, and no boats or bridges over the marshes. The myriad things lived in groups, their dwelling places linked together; birds and beasts gathered in herds and flocks, and grasses and trees grew to fulfillment.
Original Chinese text
是故禽兽可系羁而游,鸟鹊之巢可攀援而闚。夫至德之世,同与禽兽居,族与万物并。恶乎知君子小人哉!同乎无知,其德不离;同乎无欲,是谓素朴。素朴而民性得矣。
English translation
Thus beasts could be tethered and led about, and the nests of birds and magpies could be climbed up to and peered into. In an age of utmost virtue, people dwelt together with beasts and formed one community alongside the myriad things. How could anyone know of noble men and petty men? All alike were without contrived knowledge, and so their virtue did not depart from them; all alike were without desire—this is called plain simplicity. In plain simplicity, the people's nature remained whole.
Original Chinese text
及至圣人,蹩躠为仁,踶跂为义,而天下始疑矣。澶漫为乐,摘僻为礼,而天下始分矣。故纯朴不残,孰为牺尊!白玉不毁,孰为珪璋!道德不废,安取仁义!性情不离,安用礼乐!五色不乱,孰为文采!
English translation
When the sages appeared, however, they hobbled and strained in the practice of benevolence, stamped and stretched upward in the pursuit of righteousness, and then the world first began to doubt. They spread themselves without restraint in making music and contrived fine distinctions in devising rites, and then the world first became divided. Thus, if unbroken simplicity had not been cut apart, how could there be ornamented sacrificial vessels? If white jade had not been damaged by carving, how could there be gui and zhang tablets? If the Way and virtue had not been cast aside, what need would there be for benevolence and righteousness? If innate nature and genuine feeling had not been separated, what use would rites and music have? If the five colors had not been thrown into confusion, how could decorative patterns arise?
Original Chinese text
五声不乱,孰应六律!
English translation
If the five notes had not been thrown into confusion, what would there be for the six pitch standards to bring into accord?
Original Chinese text
夫残朴以为器,工匠之罪也;毁道德以为仁义,圣人之过也。夫马陆居则食草饮水,喜则交颈相靡,怒则分背相踶。马知已此矣!夫加之以衡扼,齐之以月题,而马知介倪闉扼鸷曼诡衔窃辔。
English translation
To hack uncarved wood into implements is the fault of the artisan; to destroy natural integrity in order to fashion benevolence and righteousness is the error of the sage. Horses living on land eat grass and drink water. When pleased, they cross necks and rub against one another; when angry, they turn their backs and kick at one another. A horse’s knowing originally went no further than this. But put crossbars and yokes upon them and fit them with crescent-shaped frontlets, and horses learn to look askance, crook their necks against the yoke, thrust and bolt, slip the bit by a trick, and steal free of the reins.
Original Chinese text
故马之知而能至盗者,伯乐之罪也。夫赫胥氏之时,民居不知所为,行不知所之,含哺而熙,鼓腹而游。民能已此矣!
English translation
Thus, that the knowing of horses could develop as far as thievery was the fault of Bo Le. In the age of Hexu, the people dwelt without knowing what they were doing and traveled without knowing where they were going. With food in their mouths they delighted, and they drummed on their bellies and wandered about. The people’s capacities went no further than this.
Original Chinese text
及至圣人,屈折礼乐以匡天下之形,县跂仁义以慰天下之心,而民乃始踶跂好知,争归于利,不可止也。此亦圣人之过也。
English translation
When the sages appeared, they bent and turned their bodies in rites and music to regulate the forms of all under heaven, and hung benevolence and righteousness on high for people to crane toward, in order to soothe the hearts of all under heaven. Only then did the people begin to stand on tiptoe and strive, delight in clever knowing, and race one another toward profit, beyond anyone’s power to stop them. This too was the error of the sages.