23. Bo | Splitting Apart

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Original Chinese text

English translation

Bo / Splitting Apart: it is not beneficial to have somewhere to go.

This is the judgment of Bo (Splitting Apart), setting the overall situation and guiding principle for the whole hexagram. “having somewhere to go” means forward action is fitting; the warning against going forward suggests restraint rather than expansion.

Original Chinese text

English translation

First Six: At the start, the bed is being stripped from the end; rightness is neglected, and this is dangerous.

The first line is the lowest position, where a situation is just beginning and its strength is still forming. “constancy” means holding to what is correct over time; “misfortune” marks serious risk.

Original Chinese text

English translation

Second Six: The bed is peeled back to the surface; rightness is ignored, and this is dangerous.

The second line often suggests a central and emerging position: no longer hidden, but not yet in command. “constancy” means holding to what is correct over time; “misfortune” marks serious risk.

Original Chinese text

English translation

Third Six: There is peeling of the structure, but no blame results.

The third line stands at the end of the lower trigram, where effort and pressure increase and caution becomes important. “no blame” means avoiding fault, not necessarily winning great success.

Original Chinese text

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Fourth Six: The bed is stripped through its outer layer, and this is dangerous.

The fourth line enters the upper trigram and marks a threshold between holding back and advancing. “misfortune” marks serious risk.

Original Chinese text

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Fifth Six: Fish are strung through and the palace attendants are favored, and nothing is harmful.

The fifth line is near the honored position, where influence can be exercised if power remains aligned with what is right. The image should be read as a concrete way of describing the situation before choosing how to act.

Original Chinese text

English translation

Top Nine: The ripe fruit is not eaten. The upright person gains a carriage, while the petty person loses his dwelling.

The top line is the end of the hexagram's movement, often warning about excess, culmination, or the need to change course. The image should be read as a concrete way of describing the situation before choosing how to act.

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