125. From My Study at the Mouth of the Valley, Sent to Censor Yang | Qian Qi

题中「寄杨补阙」交代这是给朋友的诗简。所以前六句不是闲适的自我欣赏，而是有目的的介绍：先说书斋在哪（泉壑、茅屋、薜帷），再说什么时候最好（雨后竹、夕阳山），再说这里有多静（白鹭早栖、秋花迟落），最后才说到正题——路扫好了，你来吧。读懂了这一点，全诗的次序就清楚了。

The title marks this as a verse letter to a friend. The first six lines are therefore not idleness enjoyed for its own sake but a purposeful description: where the study stands (springs, thatch, fig curtain), when it is best (bamboo after rain, hills at sunset), how quiet it is (egrets roosting early, autumn flowers falling late), and only then the point — the path is swept, come. Once that is understood, the poem's order is plain.

第二联的「竹怜」「山爱」有两种读法：一种是作者怜竹、爱山；一种是竹自己可爱、山自己可亲。唐诗常故意保留这种模糊，让物与人互相靠拢。放到这封信的语境里，第二种读法更有用——作者是在说，这里的竹和山本身就值得你喜欢，不是我在自夸。

The second couplet's "pity the bamboo" and "love the hills" can be read two ways: the speaker pities the bamboo and loves the hills, or the bamboo is pitiable and the hills lovable in themselves. Tang verse often keeps this blur, letting object and person lean toward each other. In the context of a letter, the second reading does more work: the poet is saying the bamboo and hills here are worth your affection, not that he is praising his own place.

"家僮扫萝径，昨与故人期" — the sweeping is happening now, the agreement was made yesterday. The one word shi sets the invitation in a real schedule: it is not a vague wish to meet some day. A poem that spent six lines on scenery ends with a chore and a date, and that is exactly what makes the invitation credible.

"家僮扫萝径，昨与故人期" —— 打扫是此刻，约定是昨天。一个「昨」字把邀请放进真实的时间表：不是改日有空的客套，是已经说定了。花六句写景，最后落在一件家务和一个日子上，信才算成立。