133. 云阳馆与韩绅宿别(司空曙)

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现代汉语译文

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故(gù)人(rén)江(jiāng)海(hǎi)别(bié),()几(jǐ)度(dù)隔(gé)山(shān)川(chuān)。()

现代汉语译文

老朋友在江海之间分别,多少次隔着重山远水。

「江海别」是广阔之地的分别,「几度」是不知道多少次。两句写分别之久,为下文的骤见铺垫。

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乍(zhà)见(jiàn)翻(fān)疑(yí)梦(mèng),()相(xiāng)悲(bēi)各(gè)问(wèn)年(nián)。()

现代汉语译文

猛然相见,反倒怀疑是在做梦;相对悲叹,各自问起年纪。

「乍见翻疑梦」与戴叔伦「翻疑梦里逢」同调,是这类重逢诗的共同语汇。「各问年」写得很实:多年不见,先问岁数。

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孤(gū)灯(dēng)寒(hán)照(zhào)雨(yǔ),()深(shēn)竹(zhú)暗(àn)浮(fú)烟(yān)。()

现代汉语译文

一盏孤灯冷冷地照着雨,深密的竹林暗地里浮起烟雾。

两句纯写景,是全诗的呼吸处。灯、雨、竹、烟四样,都是暗的、湿的、冷的。

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更(gèng)有(yǒu)明(míng)朝(cháo)恨(hèn),()离(lí)杯(bēi)惜(xī)共(gòng)传(chuán)。()

现代汉语译文

更有明朝分别的怅恨,所以珍惜地把离别之杯相互传递。

「更有」是况且还有,表示更进一层。「离杯惜共传」写的是劝酒的样子,一个「惜」字把动作放慢了。

赏析 · Commentary

中间那两句景物是留白 · The Two Scene Lines as Breathing Space

「孤灯寒照雨,深竹暗浮烟」在情节上没有推进任何东西,但它是这首诗必需的一段。前两联写十年的分别和乍见的惊疑,情绪已经满了;第三联把镜头推到窗外,让读者跟着看一眼夜色,第四联再回到眼前。唐诗写重逢,常需要这样一段缓冲,否则整首诗会憋在情绪里出不来。

"A lone lamp coldly lighting rain, deep bamboo dimly raising mist" advances no plot and is a necessary passage. Two couplets of ten years apart and the shock of sudden meeting have filled the feeling; the third pushes the camera past the window to let the reader look at the night, and the fourth returns. Tang reunions usually need such a buffer, or the poem stays pent up in its own emotion.

「各问年」比「相拥而泣」更真 · "Asking Each Other's Age" Truer Than Weeping

久别重逢最动人的往往不是戏剧性的动作,而是这类小问题。司空曙不写拥抱不写痛哭,只写两人互相问年纪——因为十年过去,最直接的变化就是岁数。这一问里含着比较:你比我老了多少,我比你老了多少,还有暗中盘算的余生。一句家常话,留下的东西比抒情句多。

What moves in a reunion is often not a dramatic gesture but a small question. Sikong Shu writes no embrace and no sobbing, only the two asking each other's age — because after ten years the plainest change is the years. A comparison sits in the question: how much older are you than I, how much older am I, and behind it a silent estimate of what is left. One ordinary question leaves more than a lyrical line.

末联的「惜」 · "Care" in the Last Couplet

「离杯惜共传」是全诗唯一写动作的收尾。两个人把酒杯传来传去,这个动作本身没有信息量,但配上「惜」字,意思就是:还想再拖延一会儿。司空曙没有写他们说了什么,只写杯子在手里传递,等于把「不愿散席」写成了一个可以看见的动作。

"Passing the parting cup with care" is the only gesture at the close. Two men handing a cup back and forth carries no information by itself, but with "care" it means they want to put off the end a little longer. Sikong Shu does not report what they said, only the cup moving between hands, turning the wish not to break up into something visible.

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