262. 春怨（刘方平）
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现代汉语译文
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纱窗日落渐黄昏，金屋无人见泪痕。
现代汉语译文
夕阳照着纱窗，天色渐渐昏黄；华丽的屋子里没有别人，没有人看见我脸上的泪痕。
“金屋”用汉武帝“金屋藏娇”的典故，指华美的居处，也暗示女子曾受珍视的处境。“无人见”说明她的悲伤没有人在意，连被看见的机会都没有。
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寂寞空庭春欲晚，梨花满地不开门。
现代汉语译文
寂寞的空庭院里，春天快要过去了；梨花落满一地，我却不愿打开房门。
“春欲晚”指春天将尽，也暗合女子青春将逝。“不开门”是她主动隔绝外界：满院落花本可去看，她却把门关着，把春光和寂寞一同关在门外。
赏析 · Commentary
没有人看见的悲伤 · Grief No One Sees
首句已经把人放进黄昏，第二句马上交代处境：屋子再华美，也没有人在场。到后两句，连庭院也空了，能陪她的只有满地梨花。诗里没有对话，也没有人来，这份悲伤之所以成立，正因为始终找不到一个观看的人。
The first line already places the woman in dusk; the second explains her situation at once: however fine the chamber, no one is there. By the closing couplet even the courtyard is empty, and only fallen pear blossoms keep her company. There is no conversation and no visitor. Her grief exists precisely because there has never been anyone to watch it.
“不开门”这个动作 · The Gesture of the Unopened Door
末句的“不开门”是全诗唯一由女子主动做出的动作。春花将尽，去看一眼或许还能解闷，她却选择把门关上。这既像赌气，也像认命；院子里的春色进不来，她的寂寞也出不去。一个静止的动作，把整首诗的情绪收在了门内。
The refusal to open the door is the only gesture the woman makes in the whole poem. The last of spring might still offer some distraction, yet she chooses to shut it out. It looks like sulking and like resignation at once: the courtyard's spring cannot enter, and her loneliness cannot leave. One motionless act keeps the poem's feeling shut inside the door.