ChineseStudy

241. 玉阶怨（李白）

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正文

现代汉语译文

玉（yù）阶（jiē）生（shēng）白（bái）露（lù），（）夜（yè）久（jiǔ）侵（qīn）罗（luó）袜（wà）。（）

玉石台阶上凝起白露，夜深已久，寒湿渐渐浸透了罗袜。

女子在台阶上站了很久，诗却不直说等待。“侵”从露水写到身体，让时间通过袜子受湿显现。

却（què）下（xià）水（shuǐ）晶（jīng）帘（lián），（）玲（líng）珑（lóng）望（wàng）秋（qiū）月（yuè）。（）

她退回室内放下水晶帘，仍隔着晶莹的帘子凝望秋月。

“却下”有退回并放下之意。人虽离开台阶，目光仍在月上；帘子隔开夜寒，却没有结束等待。

赏析 · Commentary

全诗没有一个“等”字 · The Poem Never Uses the Word Wait

夜久、露生、袜湿，三个迹象已经说明她在台阶上停留很久。李白不交代她等谁，也不让人物开口。题目中的“怨”同样没有化成责问，只存在于站立、退回、再望月这一连串动作里。

Long night, gathering dew, soaked stockings: the three signs already show how long she has remained on the steps. Li Bai does not say whom she awaits or allow her to speak. Even the grievance named in the title never becomes an accusation; it exists in standing, withdrawing, and looking out again.

放下帘子并没有结束场景 · Lowering the Blind Does Not End the Scene

一般动作到“下帘”便可结束，结句却让视线继续穿过帘子。室外有白露和秋月，室内有沉默的人，中间只隔一层水晶帘。她已经从寒冷中退开，却没有从牵挂中退开，这才是末句留下的余意。

The action could have ended when the blind was lowered, but the final line sends the gaze through it. Dew and autumn moon remain outside, the silent figure inside, with only a crystal screen between them. She has withdrawn from the cold, not from what holds her attention, and that distinction gives the close its aftereffect.

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