297. 杂诗(无名氏)

目录

正文

现代汉语译文

正文

近(jìn)寒(hán)食(shí)雨(yǔ)草(cǎo)萋(qī)萋(qī),()著(zhuó)麦(mài)苗(miáo)风(fēng)柳(liǔ)映(yìng)堤(dī)。()

现代汉语译文

临近寒食节,细雨洒在茂盛的春草上;风吹拂着麦苗,柳树的影子映在堤岸上。

“寒食”是清明前一二日的节令,旧时禁火冷食,时在暮春。“萋萋”形容草长得茂盛。“著”有附着、吹到的意思,“著麦苗风”即风吹拂麦苗。两句写暮春田野景物:草盛、雨细、麦青、柳映长堤,正是游子思归的时节。异文:Gutenberg 底本与维基文库作“尽寒食雨”,chinese-poetry 数据集及通行选本多作“近寒食雨”,本站从读者常见作“近”。

正文

等(děng)是(shì)有(yǒu)家(jiā)归(guī)未(wèi)得(dé),()杜(dù)鹃(juān)休(xiū)向(xiàng)耳(ěr)边(biān)啼(tí)。()

现代汉语译文

同样是空有家却回不去,杜鹃啊,你不要再在我耳边啼叫了。

“等是”意为同样是、都一样(旧注或解作“为何”)。“有家归未得”写有家难归,含漂泊或乱离之痛。“杜鹃”相传为蜀帝杜宇魂魄所化,啼声凄切,古人听其声如“不如归去”,最易触动思乡之情。“休向耳边啼”是央求,也是不堪再听。异文:Gutenberg 底本与维基文库作“等是有家”,chinese-poetry 数据集作“早是有家”,本站从读者常见作“等是”。

赏析 · Commentary

暮春景色逼出游子 · Late-Spring Scenes Press the Wanderer

前两句全是好景:草、雨、麦、柳,都是春天该有的样子;可越是这般生机,越衬出无家可归的凄凉。诗人不先写愁,而是先把节令写足,愁绪便从景里自己长出来。

The opening couplet is all pleasant scenery: grass, rain, wheat, willows—just what spring should look like; yet the more alive it is, the more it sets off the bleakness of having no home to return to. The poet does not name sorrow first; he fills out the season, and the sorrow grows out of the scene itself.

求杜鹃别再啼 · A Plea to the Cuckoo

杜鹃的叫声像“不如归去”,可诗人偏偏回不去。所以他不是请杜鹃别叫,而是请它别在自己耳边叫——同样的话,别人听了或许只是节令,他听了却是催归。结句是软语相求,却比放声痛哭更沉痛。

The cuckoo's cry sounds like go home, go home, yet the poet cannot go home. So he is not asking the cuckoo to stop; he asks it not to cry beside his own ear—the same sound others might hear as mere season, he hears as an urging to return. The closing line is a soft plea, and heavier than an open wail.

反馈